“Reggaeton went dormant for many years, ” he continued. “It had been required to make trap music, since it felt like reggaeton was stuck an additional age. ” a self-described pupil regarding the late and oft-controversial Tupac Shakur, Anuel thought reggaeton had reached its peak and thought Latin trap could be its successor.

Songs like “Nunca Sapo, ” where Anuel networks Rick Ross’ Teflon Don ethos and spits a grimy flow that is slow-tempo a sinister 808-laden instrumental, helped place a face to Anuel’s little-known name in america. On cuts like Farruko’s m.soulcams.cim “Liberace, ” Anuel increases their distribution for enjoyable and performs in the “Versace” rhythm popularized by Migos, whom all hail from Atlanta—the widely credited birthplace of trap music.

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